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Thursday, April 24, 2014

Paper 2 Essay.

How do literary texts capture the spirit of the times and the values of a culture?
     It is often that authors write concerning the times in which they are living, basing their writings in their own personal experiences and biases. This is referred to as "context" which is the circumstances that surround a given text and help to specify it's meaning. Context is best expressed as contexts, in plural, because of the wide variety of external forces that affect the general reception or understanding of a work. To answer this question we must focus on four important types of context, these are the "cultural context", the "historical context", the "context of production", and the "context of reception". The first one refers to the culture of the time and place where the novel and the characters take place. The second one alludes to the historical aspect of the novel, the historical facts of the times in which the novel is based on. The third one differs to the other as it is no longer about the content of the novel but rather the context of the author (critical positions, historical facts, biographical aspects of the author's life.), although many times it coincides that the author is writing about the times in which he lives on and maybe even about himself, it is not necessarily a requirement. And the last one to consider is the context of reception, which refers to us, as a reader. Once you approach a work as a reader, the meaning that is communicated, that is sent from the text to you, is influenced by everything that you bring to it, from you reading to your personal experiences and biases.

     In the case of "To Kill a Mockingbird", it was written by Harper Lee and published in 1960, but that is the context of production, the historical and cultural context, by the other hand, were the events that occurred near her hometown in the year 1936, when she was only 10 years old. In the case of non-fiction books, its really important the cultural and historical context, and even the context of production. If Harper Lee would have written this the same year that it occurred, or a few years later, that would give us the perspective of a 10 year old on the events, and not the mature perspective we get from an adult. As this is a non-fiction book, it is something that really happened, and happened during her childhood, therefor the cultural and historical context of the times of her childhood are extremely important, setting it on a different time would change everything. As the novel deals with issues of rape and racial inequality, a change in the time when it is based would change the whole novel. During the 1930's, African american people were already discriminated against and when the country got hit by the great depression it got even worse. The Great Depression, being a severe worldwide economic depression in the 1930's was not only devastating for the poor countries, but the rich ones too. Everything relating money just dropped causing devastating effects. Unemployment was a severe issue, and due to racism, white male employment was the first priority to many, so African american would have a hard time finding jobs. And even if they found a job, doesn't matter if it was exactly the same one as a white male, they would get paid less, just because they were Afro-american. Another issue during the 1930's was the dust bowl, referred to as a period of severe dust storms causing major ecological and agricultural damage to American and Canadian prairie lands.

     On the other hand, the novel "Fatelessness", written by Imre Kertész was published in the year 1975, written between 1969 and 1973, but that is just the context of production, which is post war, but the cultural and historical context of the novel is indeed during the second world war, from the perspective of a 14 year old Hungarian Jew, whose life changed drastically by being sent to the concentration camps. As well as on "To Kill a Mockingbird", the context is essential to the novel as it is a non-fiction semi autobiography novel. A survivor, who actually survived because he lied about his age, telling us the story of how the war was from the other perspective. Imagine having an ordinary life, and from one day to another, you are sent in to a concentration camp, where they don't even mind about you and your health. The fact that it is written by someone who was there, differs from reading a historical fact about the concentration camps, we read how exactly the people inside the concentration camps felt, how they carried through all this.

     In conclusion, the circumstances that surround a text, either in the production of the novel, the reception, and most importantly the times of the novel itself, are essential to understanding it in different ways. Maybe reading a novel that has racism in it would not have been a big deal during the 1930's, but reading it now, when humanity has understand that we must live in a racial equality world, we understand how people suffered living through those times. Or reading a novel about a young men who is sent to the concentration camps, reading it know we understand their suffering, how they lost it all, and in the conditions they had to live. But if we change the context of reception, lets imagine that a German Soldier reads this in the year 1943, it will be nothing new, maybe he even had to follow orders in being in one of the camps. So, the context truly changes how we understand the novel, and how the novel develops.

Words: 945

Monday, March 24, 2014

Abraham Lincoln Speech Analysis


 “My friends: No one, not in my situation, can appreciate my feeling of sadness at this parting. To this place, and the kindness of these people, I owe everything. Here I have lived a quarter of  a century, and have passed from a young to an old man. Here my children have been born, and one is buried. I now leave, not knowing when or whether ever I may return, with a task before me greater than that which rested upon Washington. Without the assistance of that Divine Being who ever attended him, I canot succeed. With that assistance, I cannot fail. Trusting in Him who can go with me, and remain with you, and be everywhere for good, let us confidently hope that all will yet be well. To His care commending you, as I hope in your prayers you will commend me, I bid you an affectionate farewell.”



Just by reading the first two words we realize that Lincoln tried to talk to the people in a way that would give them confidence, by using the words "My friends", the  audience feels closer to Lincoln, as if they were friends, and what friends do is suppose to look out for each other. He then continues with the idea that he is one of them, and therefor they want the same thing. "I owe everything", making the audience believe that they are part of it what he is doing, and it makes a lot of sense, if I feel part of something I will support that, and believe in it. All of these ideas of home, is supported by the anaphora used, with the word "Here". By saying he grew up and has children there, one of them burried, he continues with the idea that he is one of them, that he is part of the big family, and the loved one he lost creates a sense of emotion on the audience, feeling sorry for the man. Later on he emphazises on the "Divine", who will protect him and every one of us, in order to succeed. "Trusting HIM who can go with me, and remain with you", a protection not only to him and his decisions, but also in us. Finally, every little aspect of the speech, creates a close enviornment with the audience, not only thanking them for helping him for his accomplishments, but to also trust him and his decisions, because he is one of us.

Paper 1 Skills and Practice: Register

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When you get to analyse texts in your Paper 1 Exam, one of the elements you should refer to is the register the author uses to convey meaning. Here are some notions of register to keep in mind:


  • REGISTER refers to the level of formality in a variety of language use. It varies from speaker to speaker.
  • In general, speakers or writers vary their register for a particular purpose or in a particular setting.
  • Speakers and writers vary language use through vocabulary, sentence structure and pronunciation (oral language).
  • In an attempt to sound more formal, speakers and writers will be careful not to use slang, will be attentive for the use of “who” or “whom”, will avoid using contractions (such as “do not” instead of “don’t”), and will replace words like “mum” with “mother”
  • Always consider the implied audience of a text: Who is the author addressing? Is it, for example, the author’s superiors, peers, a judge or an audience of young school children?

Use the following terms as a starting point. Is the register uptight or relaxed? Is it elegant? Is it academic?


  1. FROZEN register is pre-determined or scripted language used in prescribed, often ritualistic contexts such as a court of law or a church.
  2. FORMAL register is used in speeches and presentations, as opposed to discussion, that demands precise technical jargon.
  3. CONSULTATIVE register is language more often used in dialogue that includes some off-hand, informal language, impromptu corrections and non-technical explanation.
  4. CASUAL register is used in group discussions with friends that can include gaps, interruptions, pauses, errors and personal “inside” words.
  5. INTIMATE register is used in private converstaion between close friends and family where tone, volume and unspoken hints or suggestions may be just as important as the denotation of words.

CLASSROOM TASK

How would you describe the register of the following statements?


  • “Honoured guests, members of the board, Superintendent Johnson, and most importantly, graduates of the class of 2012, it is an honour to speak to you on this ocassion.” Formal Register
  • “While I was pleasantly surprised by the menu selections for dinner service, I was disheartened by the lukewarm eggs at breakfast.” Formal Register
  • “Yeah, right” Casual
  • “I doubt it” Consultative Register
  • “I’m tired of your rubbish” Intimate Register
  • “I’m tired” Consultative Register

Truth Assumptions & Idioms and Ambiguity

Truth Assumptions 
The use of certain verbs can imply the actual or probable status of events in a statement. In the sentence “I know the dog died”, the verb “know” is FACTIVE as it assigns the death of the dog as true. In “I believe the dog died”, the verb “believe” is NON-FACTIVE as the clausal object (the dog died) may not be a true fact.

Are the following statements factive or non-factive?


  1. I thought that today was your birthday. Non-Factive (thought)
  2. I forgot that today was your birthday. Factive 
  3. The teacher scolded me for not studying hard enough. Factive
  4. The teacher acknowledged that I hadn’t really studied. Factive
  5. The teacher realized the student had cheated. Factive
  6. The teacher assumed that the student had cheated. Non-Factive (assumed)



Idioms and Ambiguity 
Meaning can often be complicated through the use of metaphors, idioms, or simply through ambiguous relationships between words. What are the actual meanings of the first two idioms below?

What are the possible meanings of the next ambiguous sentences?


  1. Bite your tongue: To bite your tongue/Shut Up
  2. Pull my leg: Someone who literally pulls my leg/trick someone
  3. He is my English teacher: My teacher who teaches English/My teacher from England
  4. I saw the person with a telescope. I saw someone through my telescope/I saw someone who was using a telescope
  5. She doesn’t like short men or women. She doesnt like short men neither short women/She doesnt like short men or any type of women.